"Driving Miss Daisy" Reaction:
Driving Miss Daisy, a 1989 dramady by Bruce Beresford, based on the play by Alfred Uhry, is a critically acclaimed movie. Spanning a quarter of a century, this movie follows Southern matriarch, Daisy Werthan, her son, and her chauffeur.After a minor car accident backing into her neighbors yard, the insurance companies, and her son, will not allow her to drive herself. Boolie, her son, hires African American Hoke Colburn to chauffeur Daisy around to her various appointments and engagements.
Initially, the fiercely independent Daisy is extremely reluctant to have her autonomy taken away even in this minor way. She is very rude to Hoke, not allowing him to take her anywhere. She yells at him for things that he is trying to do to help her, like dust her lightbulbs, plant a vegetable garden, talk to Idella, or tend to her azaleas. After a few days though, she reluctantly lets him drive her to the Piggly Wiggly.
She is a backseat driver extreme and is very short with Hoke most times. Early on, she even tries to fire him for eating a $0.33 can of salmon. However, as the movie progresses and the years pass, they grow closer and she begins to trust him. The comradery between Daisy, Hoke, and Idella and the familiar phrase of "Good Mornin' Miss Daisy" become a comfort.
This movie takes place before, during, and after the Civil Rights Movement, however, it is a minor subplot. There are few subtle mentions of race relations and Civil Rights. The story at its core is a story of friendship
The movie begins in the late 1940's and the way of life in the south is very clearly segregated. The African Americans are the working class (at least in Daisy's community) and the work for the rich white folks in the community. Although Daisy claims to have "never been prejudiced in my life" she sometimes does not treat Hoke with the respect he deserves.For example, when they are driving to Mobile, AL and get lost and she doesn't want to let him pull over to use the restroom and also when she goes to the MLK dinner, a great show of character development on her part, but she doesn't invite Hoke to go in with her even though she knows he really wants to.
Another instance is when the cops stop them when they are on their road trip, using a racial slur and being rude to Hoke just because he is African American. This really showcases the deep internalized prejudices of the time, especially in Daisy who doesn't do much to stand up for him.
It seems that throughout most of the movie, Daisy is embarrassed to be seen in public with Hoke, in fact, he first time he takes her to the grocery store she tells him to wait by the car. However, as time passes she gets better and becomes great friends with Hoke.
The score of this movie was great, and was done by Hans Zimmer at the beginning of his career. I really enjoyed the iconic opening music. It's snappy, its fun, and its playful, just like Daisy and Hoke's relationship turns out to be. The other piece of music was melodically beautiful and nostalgic and playing it while they were looking at her old pictures and selling her house was a tug on my heartstrings.The best part of the movie though, was near the end where Daisy told Hoke that he was her best friend. The character development for Daisy and the interracial friendship development between Daisy and Hoke was heartwarming and a touching end to the movie.